GIP

David Mitchell

*sigh*

reading endings, writing endings, both happy and sad

cathexys asked me a question, and my answer ended up as a philosophical ramble about fic endings.

I know the ending of my HP opus now. In fact, I know two endings: one happy, one not, and it will affect the tone of the rest whether I opt for comedy or tragedy. (Comedy in the Dantean sense: something that goes from bad to good, not in the sitcom sense.)

I'm quite excited about my ending; the opus didn't have an ending before, it just sort of fizzled out -- and I believe in strong endings, big climaxes, and love it when I happen upon the perfect last line. Which I haven't yet but I've got the ending (two endings).

And no, I will not post both endings.

I realised that I didn't like the two-endings post-modern approach to posting when zarah5 did it some two years ago with a lotrips fic (especially as I really liked the rest of the fic). I like to relax into a story. I like to feel in the capable hands of the author. I may not know where the fic is heading but the author knows. I don't like to come up against indecision; to me, that is a cop-out and a breaking of the contract between author and reader. I as reader don't want to have to make up my mind about the ending! That's the author's job! I love getting an insight into the working process; it's what I've loved about the online writing life, that you see how things are made as well as the final product. But when it comes down to it and when the final posting is made, I want the author to have expended enough serious thought on the fic to know the ending. She can always put the alternative ending in a DVD commentary or something if she feels the need to.

As to my own two endings, thinking about them has sharpened my perception about the fic and about the characters. I can't have two alternative endings. Two alternative endings would mean two alternative fics as the ending should (I think) arise logically and seemingly inevitably out of the characters and what they have done up to the ending. Otherwise, the ending is not aesthetically satisfying.

So my choices are two:

1) Write the happy ending. This makes most people happy and will gain me more readers. This also makes me happy. I started sifting through all my fics in my head and they all have happy endings. (Except for one of my unfinished WIPs.) Happy endings are satisfying and moving and make me want to re-read, and they lend a happy glow to life.

On the other hand, if you have a triangle story, it will have to end unhappily for somebody. So it becomes a decision about whom to sacrifice. T'HP opus is a triangle story. A Perfect Day was a triangle story, and a lot of readers were dismayed that one of the pairing-characters lost out to the other pairing-character. So even though for me and for the guys that got each other that was the right and the happy ending, it wasn't so happy for they guy who didn't get the guy.

2) So I could write the sad ending. Sad endings resonate and have a certain gritty reality factor. They seem more 'real' than the happy endings. They make readers shout and plead and react. They make readers continue the stories in their heads in order to force a happy ending later down the line. I have loved some sad-ending stories but I tend not to re-read them because they are too upsetting.

Otoh, the two characters whom I want to bring together for my happy ending are not beloved of most readers, so readers may actually think that the sad ending (where this particular pairing is torn asunder) is the happier one!

See? It's not simple! But it's interesting. And it makes me ponder the characters. Because in the end only they can tell me how they're going to act and what the ending is going to be. And the way they're going to act arises from the way they are, and they are that way from the first line of the fic. And I can't have two alternative beginnings as well!

Well, I could but I'm not writing When on a winter's night a traveller -- which is, btw, one of my top ten novels and omg, it was the inspiration for one of my other top ten novels, as I found out only today.

happy birthday, cinzia!

Tanti auguri, dolcissima cinzia!!!

*baci baci*

curiously seeking experimental fic

Dear Friends, Friends of Friends and Snowflakes Drifting In from The Blue Yonder Web,

I have been thinking (spurred on by something that eyebrowofdoom said over two years ago and something else that childeproof said about fifteen minutes ago). I have been thinking about writing experimental fic and about how I used to do it and now how I don't.

In order to help me clarify what's next, whether to go back to being dare-devil or whether to forge on to see if I can even write a straightforward plot, I would be grateful for experimental fics-recs.

So please, everyone, recommend 1-2 fics to me, fics that experiment with prose or with pov or with tense or with whatever else. Can be any fandom, can be origfic, can be het or gen or slash. And the more experimental, the better.

The fics don't even have to be febulous. Of course, high quality is an extra bonus but for the moment, I just want unusual things to provide inspiration.

All recs will be gratefully received.

:-)

FIC: "No Soul for a Kiss" 1/1 (D/D) G

Title: No Soul for a Kiss
Author: lobelia321; lobelia40@yahoo.com
Website: http://www.geocities.com/lobelia321/
Fandom: Harry Potter
Pairing: Dementor / Dementor
Rating: G
Length: 680 words
Summary: A Dementor must Kiss somebody.
Feedback: Yes, please, I would love feedback! Anything, even if it's only one line, one word!
Archive Rights: My niche. Anyone else, please ask.
Disclaimers: This is a work of amateur fiction. I am not making money. I did not invent Dementors; J.K. Rowling did.
Author's Notes: childeproof wondered about experiments and rareness, and cathexys wondered why I hadn't posted anything for so long. So I felt spurred! This fic is for them, with thanks.

( No Soul for a Kiss )