too much to read all in one go?
Mar. 23rd, 2004 09:46 pmHave a sample:
The Russian formalist critic Vladimir Propp proposed that folktales are structured using a small number of components in different combinations, e.g. 'return', 'pursuit', and a small number of roles, e.g. 'hero', 'villain'. We can also think about fanfic in terms of a finite number of story structures underlying all individual fics. The most common of these is the boy-meet-boy, boy-wants-to-have-sex-with-boy model. (By 'boy', I also mean 'man'; and by 'sex', I mean anything from kissing to buggery.) This plays out in a number of ways:
(A) boy meets boy, boy wants to have sex with boy
(1) boy has sex with boy
(2) boy is shy / reluctant; obstacles and embarrassing situations intervene; a final revelation of mutual desire ends in boy having sex with boy
(3) boy angsts about his sexual proclivities
(3a) after obstacles and embarrassments, boy has sex with boy
(3b) boy does not have sex with boy
(4) boy wants to have sex with boy but other boy has sex with someone else; boy angsts
(I have probably missed out some scenarios but these are the main ones that come to mind.)
What is, of course, crucial to all slash is (A): there is a predetermined expectation that boy will meet boy, and that this meeting will result in the desire to have sex. No origfic, with the exception perhaps of gay porn, has this plot expectation built into it as such an absolutely integral component. If a slashfic features a number of boys, it usually becomes apparent at some point which particular boy will want to have sex with which other particular boy -- this is also where the 'pairings' rubric in the Header plays its part.
(Extract from my narratological analysis of fanfic).
So, people, what do you think? What do you think???
The Russian formalist critic Vladimir Propp proposed that folktales are structured using a small number of components in different combinations, e.g. 'return', 'pursuit', and a small number of roles, e.g. 'hero', 'villain'. We can also think about fanfic in terms of a finite number of story structures underlying all individual fics. The most common of these is the boy-meet-boy, boy-wants-to-have-sex-with-boy model. (By 'boy', I also mean 'man'; and by 'sex', I mean anything from kissing to buggery.) This plays out in a number of ways:
(A) boy meets boy, boy wants to have sex with boy
(1) boy has sex with boy
(2) boy is shy / reluctant; obstacles and embarrassing situations intervene; a final revelation of mutual desire ends in boy having sex with boy
(3) boy angsts about his sexual proclivities
(3a) after obstacles and embarrassments, boy has sex with boy
(3b) boy does not have sex with boy
(4) boy wants to have sex with boy but other boy has sex with someone else; boy angsts
(I have probably missed out some scenarios but these are the main ones that come to mind.)
What is, of course, crucial to all slash is (A): there is a predetermined expectation that boy will meet boy, and that this meeting will result in the desire to have sex. No origfic, with the exception perhaps of gay porn, has this plot expectation built into it as such an absolutely integral component. If a slashfic features a number of boys, it usually becomes apparent at some point which particular boy will want to have sex with which other particular boy -- this is also where the 'pairings' rubric in the Header plays its part.
(Extract from my narratological analysis of fanfic).
So, people, what do you think? What do you think???
(no subject)
Date: 2004-03-23 10:46 pm (UTC)But that's just my opinion.
(no subject)
Date: 2004-03-23 11:45 pm (UTC)I tend *always* to wait for a pairing to emerge but I do like zapping to people's private webspaces on which they often omit the Header. I stumbled upon
And I agree that it doesn't take away from the narrative in good!fic. And pathetic person that I am, I also read some fics just because I like the pairing given in the Header. I mean, if it says Bern or John Noble or B.K., I'm anyone's slave. (It hardly ever does, of course... *gnashes teeth*)
(no subject)
Date: 2004-03-23 11:12 pm (UTC)I'm also thinking, with whom can we slash Vladimir Propp? He's clearly asking for it.
(no subject)
Date: 2004-03-23 11:41 pm (UTC)(no subject)
Date: 2004-03-26 01:53 pm (UTC)Boy does not meet boy, boy wants to have sex with fantasy boy, as he knows of no real boys he wants to have sex with.
So thanks Lobelia, for thrusting foolish plot bunnies upon me.
In fact, your list could be used for bunny purposes.
(Typical) Laz: I want to write a fic, but I have no plot.
Cordelia: Well, you have four choices, as specified by Lobelia.
My favourite type is 4. Obviously. Or maybe just 'boy angsts.'
(no subject)
Date: 2004-03-26 03:19 pm (UTC)*giggles enormously* (Can you giggle enormously??)
Well, here is another extract from my narratological analysis:
In a way, all of my plot models could be rewritten as:
(i) sex takes place, boy is happy
(ii) sex takes place, boy angsts
You sensed that already, didn't you? The simplification? And you're a (ii) gal through and through! You maniac. But I'm so happy that you tigged! HELLO!!! *squeezes*
Laz is equally absurd. My model is not prescriptive!!
Boy does not meet boy, boy wants to have sex with fantasy boy, as he knows of no real boys he wants to have sex with.
Structurally speaking, you realise that this still follows model 'boy meets boy', don't you? The function 'boy' can be filled by a fantasy boy just as well as by a real boy. Hell, it can be filled by a vacuum cleaner or a stuffed toy.
(no subject)
Date: 2004-03-27 11:37 pm (UTC)Your whole narratological analysis is too clever for me to understand I'm afraid.
(no subject)
Date: 2004-03-29 09:47 am (UTC)Yes, *cackles*, don't you love it? Am thinking of
Your whole narratological analysis is too clever for me to understand I'm afraid
Rot. Sometimes I think you might be the only person around who *truly* gets it.