i love you, gérard (gerard genette)
Feb. 22nd, 2004 10:46 pmI am still reading Genette. I read one chapter, I summarise it, and then I apply his ideas to two slash fics, one by
azewewish and one by
novanumbernine. It is tremendous fun, and I'm learning heaps, both about narrative and about fic.
Here's another reason why I love Genette. On p. 198, he writes:
Narrative always says less than it knows, but it often makes known more than it says.
My reading of this:
Says less than it knows: narrator always knows more than what is written on the page. It's the tip of the iceberg principle, which I have often discussed with
azewewish and others.
Makes known more than it says: much is implied. As readers, we complete unfinished sentences, fill in ellipses, understand the import of someone's words or actions (he turned away without a word) even when the main character doesn't, and so forth. It is, for example, the wonderful (and difficult, as I'm finding) challenge of first-person pov: sometimes the "I" doesn't get something or misconstrues things, but we, the readers, are clued in -- how to make known more than is actually on the page: one of the wonders of fic.
Give me a few more days and I'll have this narratological analysis of fanfic ready and posted!
I also must, simply must, finish Boring!Orli...
Here's another reason why I love Genette. On p. 198, he writes:
Narrative always says less than it knows, but it often makes known more than it says.
My reading of this:
Says less than it knows: narrator always knows more than what is written on the page. It's the tip of the iceberg principle, which I have often discussed with
Makes known more than it says: much is implied. As readers, we complete unfinished sentences, fill in ellipses, understand the import of someone's words or actions (he turned away without a word) even when the main character doesn't, and so forth. It is, for example, the wonderful (and difficult, as I'm finding) challenge of first-person pov: sometimes the "I" doesn't get something or misconstrues things, but we, the readers, are clued in -- how to make known more than is actually on the page: one of the wonders of fic.
Give me a few more days and I'll have this narratological analysis of fanfic ready and posted!
I also must, simply must, finish Boring!Orli...
(no subject)
Date: 2004-02-22 11:05 pm (UTC)I read Boring!Orli for the first time about a week ago - you simply MUST continue...
Re:
Date: 2004-02-22 11:57 pm (UTC)Re:
Date: 2004-02-23 12:06 am (UTC)*frantically tries to think up some feedback*
Um, it was good?
(no subject)
Date: 2004-02-22 11:09 pm (UTC)Madonna checked her email again. Nothing. She sipped her Evian and stared out of the window. Outside, the bland Californian sun beat down, slowly frying the garden to a crisp.
There seemed to be something stuck in her eye.
Bitches.
Why wouldn't Ents call each other 'Babe', anyway?
Re:
Date: 2004-02-23 12:01 am (UTC)*falls over*
Yes. I see that you have interpreted Genette to mean 'make the reader work really hard at filling in the gaps.'
Madonna! Ents! Somehow and perversely, I need more. Especially more of that "bland" (nice word!) sunshine.
I love the way hi-falutin' narratological theory and fanfic converges! Here we were all thinking we were just a bunch of pornographers and all the time we were being neo-Aristotelian narratrixes!!!!
Re:
Date: 2004-02-23 12:07 am (UTC)Re:
Date: 2004-02-23 02:21 pm (UTC)The dangers of attributing to others the meanderings of one's own primitive mind...
Re:
Date: 2004-02-23 12:02 am (UTC)Re:
Date: 2004-02-23 12:09 am (UTC)*waves hi to Karl*